Edensounds wrote:Cheers for the heads up, Lugh.
Hi Graham

... The pleasure is all mine my friend...
Edensounds wrote:I've been working with Paul (the band leader) for a number of years since meeting as DJ's in a London club, and Templehedz has performed at a number of Europeans festivals, as well as Edensounds events a couple of times subsequently. His earlier stuff was much more electronic than this, and I remember the look on his face when he told me he was going to re-invent their sound, because he felt there was more integrity in 'organic' musicianship.
I'm convinced through my own experiences and shared encounters with other engineers and musicians, that a level of dissatisfaction with digitally generated sounds in music sets in. Somewhere in the switch between analogue sound recording and digital sampling/sequencing the natural ambience of instrumentation gets trimmed. A sort of 'drop-off' occurs which many use effects units to mask further into the production of the masters. I remember my old recording studio guru; Tony Chapman at Enigma studios in the East End of London had more than a few frustrations with it all back in the day (late 80's) when digital became the mainstream accepted mode for recording houses. He paid a small fortune to convert his studio and performance rooms to accommodate the changes and was never happy about it. Not only that but the whole 'craic' of having musicians set up and play their music and songs in a 'near live' setting got lost in the process too.
Mind you, by the time I was in the studio doing the CD for Foyle Hospice (Derry 2001), digital studios had advanced a lot because of the amounts of different effects units that had been invented in that short period of time. Even then though, Ian (the engineer and lecturer who mixed the levels for the songs on the CD) said that he too was frequently annoyed that so much was done by simply hitting the right combination of buttons and faders. So, Paul's references to organic musicianship are not unfounded at all and I fully appreciate where he must have got to prior to making his decision.
Edensounds wrote:I think being prepared to leave a successfully broken market behind to follow powerful instincts like that is a very brave thing to do, and this really has been the first significant emergence of that sound since he locked himself in his room a couple of years back, emerging only under the cover of darkness to feast on the blood of virgins... As he comes from Brighton, I'll bet he's been starving!!!

And a powerful sound it is too Graham. What I particularly like about Closer is that it encapsulates all that was good about the last days of analogue recording and the intensity and vibrancy of the best of what came in its wake. From the first time you recommended this track to me at the weekend, I haven't stopped playing it and recommending it to others. This song could very well be the catalyst for a much needed renaissance of organic and thought out, structured and proper song writing. Temple Hedz - Closer is a spectacular piece of work.
I love it

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